THE NEW AMERICAN HORRORS
STORE IS NOW OPEN!

GET THE OFFICIAL AMERICAN HORRORS
T-SHIRT TODAY!

LOS ANGELES, CA- American Horrors CEO and on camera host, Hart D. Fisher, has announced that the American Horrors online store is now open for business just in time for your holiday shopping!


Get your favorite fiend a brand NEW American Horrors t-shirt with the company logo on single sided shirts (available in Black, White & Red), pick up My Chemical Romance frontman Gerard Way’s very first comic book published when he was a teenager (On Raven’s Wings #2), limited edition American Horrors Christmas 2-sided Postcards or signed 1st edition copies of Hart D. Fisher’s collection of eviscerating poetry (Still Dead)! All are now available online at http://americanhorrors.com/store/ and www.1201beyond.com/store!

More comics, t-shirt designs & horror products being added weekly!

SPREAD THE FEAR JUST IN TIME FOR HALLOWEEN!


LOS ANGELES, CA- American Horrors CEO and on camera host, Hart D. Fisher, has announced that American Horrors, the world's best new 24 hour uncut horror channel, now has 100% cotton double sided t-shirts for sale!

“The fans have been blowing up my mailbox with demands for t-shirts, so I caved in.” Said Mr. Fisher. “Not only are we offering the AR-15 American Horrors Asshole Remover shirt, for the bravest of horror fans, we have an entire line up of shirts for popular radio shows Lost in the Static, Radiodrome, What the Fuck and my own show, Hart Attack. They're great shirts and they're totally affordable.”

The American Horrors t-shirts are available online at www.americanhorrors.com and www.1201beyond.com with a retail price of $24.95 plus $5 Shipping & handling. All of the shirts available in Small, Medium, Large, Extra Large & Double Extra Large on 100% cotton black t-shirts. American Horrors is the world's greatest 24/7 uncut horror channel available FREE globally via the world's largest provider of internet television, FilmON.com

Sizes
Colors
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For more information or questions please contact the American Horrors offices at (323) 474-6963 or email at pr@americanhorrors.com or submissions@americanhorrors.com or check us out on the web at www.americanhorrors.com.

Watch American Horrors FREE right now with this link: https://www.filmon.com/channel/american-horrors

AMERICAN HORRORS IS FREE!!! 24/7 ALL UNCUT. ALL HORROR!!!

THE WORLD'S BEST 24 HOUR HORROR CHANNEL IS NOW FREE TO WATCH AT WWW.FILMON.COM

LOS ANGELES, CA- American Horrors, the world's greatest 24 hour uncut horror channel, is FREE to watch via crazy billionaire Alki David's worldwide virtual cable network, FilmOn.

“I'm had such a great time running American Horrors for the last year that I just had to let more people into the party.” Said Hart D. Fisher, owner & operator of American Horrors. “We've got the greatest selection of rare, hard to fine horror. Thanks for the fine folks at Filmon.com I get to share that darkly bleeding bag of goodies with the rest of the world for FREE!

You can tune in any time of the day & watch American Horrors online at www.filmon.com. American Horrors is a cutting edge 24/7 uncensored horror channel that plays the finest original in bleeding edge short films, bloody cult feature films, in-house generated content (True Crimes, Rubber Rules, Ashmore Estates: Fear in the Flatlands) along with major label music videos (from artists such as Danzig, Slayer, Obituary, Warbeast) and the original American Horrors tv show gearing up to enter into it's 2nd season the fall of 2013!

You can find American Horrors streaming side by side with industry brand names such as MSNBC Rachel Maddow, Fuel TV, NBC Nightly News, TMZ Live, UFC Next, Aljazeera and more as part of FilmOn's basic line up of channels that are available for FREE anywhere in the world. FilmOn allows viewers to stream live TV on their Mac or PC computers, iPads/tablets, smart phones & mobile devices (iPhone, Android, Blackberry etc., etc.) and has launched the world's first AP breaking 24 hour news channel.

For more information or questions please contact the American Horrors offices at (323) 474-6963 or email at pr@americanhorrors.com or submissions@americanhorrors.com

DANZIG COMES TO AMERICAN HORRORS!

UNCUT MUSIC VIDEOS FROM THE VAULTS OF GLENN DANZIG ENTER ROTATION ON THE WORLDS BEST NEW 24 HOUR HORROR CHANNEL!

Hart D. Fisher and Glenn Danzig

LOS ANGELES, CA- American Horrors  CEO and The Garbage Man writer/director, Hart D. Fisher, is once again teaming with dark rock legend Glenn Danzig as they dip into his music video vaults to pull out the bloody best of his uncut videos to air on American Horrors the best new 24 hour uncut horror channel currently broadcasting as part of billionaire Alki Davids virtual cable network, FilmOn.

Glenn Danzig has been a major influence on my work and what I do, Said Mr. Fisher. To be able to bring horror & metal fans uncut videos like Sadistikal, Serpentia (by Shadow of the Vampire director Elias Merhige), Until You Call on the Dark, man, thats what American Horrors is all about.

This is not the first time that the pair have worked together, having previously collaborated on Danzigs adult horror comic line Verotik which caused major controversy during the 1990s comic boom (leading to the banning of Verotika #4 in Oklahoma), as well as edited Danzigs music video for On A Wicked Night and the music video for Ex-Misfits ax man Doyle's new band, Gorgeous Frankenstein, "Man or Monster".

Theres no rest for the wicked, even during the holidays, as American Horrors continues to add bone chilling content to its rotation. In addition to exclusive Danzig videos, you can see envelope pushing shorts like Dave Reda's The Horror of Our Love, Peter Podgursky's The Night Caller, Rory Abels Apathy Breeds Contempt, as well as American Horrors originals like Kenneth J. Hall's 50th birthday party, The making of Hollow, and our first American Horrors exclusive crime series, Burl Barer & Don Woldman's True Crimes as well as rarely seen classics from the American Horrors vaults.

American Horrors is the best new uncut 24 hour horror channel in the world streaming side by side with industry brand names such as BBC News, Universal Sports, Reelz Movie Channels and more as part of FilmOns basic line up of channels that are available to subscribers for a $5.95 monthly fee (you can purchase American Horrors on its own for as little as $1.95 a month). FilmOn allows viewers to stream live TV on their Mac or PC computers, iPads/tablets, smart phones & mobile devices (iPhone, Android, Blackberry etc., etc.) and has just recently launched the worlds first AP breaking 24 hour news channel.

Danzig Joins American Horrors

HART D. FISHER TAKES SXSW!

Source Code

By Hart D. Fisher

“My first day of the SXSW show was filled with badge pickups, hotel check-in and the interview over at 101.5XFM’s No Control. Amanda and I did a two-hour drive down from Waco and through the festival traffic. It was brutal. Many of the Austin natives leave town that week to avoid the traffic and hassle. After sweatin’ through it myself, I don’t blame them.

The home of 101.5 was in a non-descript little beige building right off the highway. Even with the really, really, really vague directions from Corey, we made it there with no problems and plenty early to get to know the host of No Control, Chuck, a bearded tatt’d out modern primitive metal freak with the same taste for body modification as I had.

The interview was in a modern radio bay hand crafted by Chuck himself. This was truly one of the nicest modern radio studios I’d been in, including the springy comfy chairs. Corey is a metal nut, he already knew Chuck, so we had a lot of fun talking about all of our various projects and the upcoming Reel Murder panel. In fact, we talked right past our allotment of time and they had to podcast the rest (and even that’s not the full conversation). This was a great way to start off the fest and get my pep back after the grueling traffic.

The big deal of my first day at SXSW was the world premier screening of Duncan (Moon) Jones’ new film, Source Code. Frankly, the television ads for this film had left me flat and I had zero expectations for this film. I mean, none, nada, zilch. I liked Moon though, so I figured I’d give it a shot. We headed over to the theater early to make sure we’d get a place in the line. Source Code was my first real experience with the dreaded UNENDING LINES OF SOUTH BY SOUTHWEST…

Every piece of literature you get about the festival prepping you for it has lots of jokes about the lines… yes… the line to get your badges was nothing for me, whizzed right through, but the line to get into Source Code… HUGE… Around the block and we were there PLENTY early. The only reason we got in was because Corey Mitchell: The Human Swiss Army Knife was prepared with an express pass. We would soon come to find that the line you got up early to wait in so that you could get a badge that allowed you to skip ahead of the lines, the Xpress Pass, was a handy item.

Instead of waiting in line for this movie in front of one of the scenic theaters, like Corey does at The Paramount, enjoying the view, Amanda and I waiting in line around the back, in the alley lookin’ like we were waiting for our “connection” to get there, dodgin’ garbage guys comin’ out the back of the theater. It was cool though, I ran into one of Phil Nutman’s shooting team, Ian Fischer, waiting in line. A big part of the fun of SXSW, was meeting cool people in line, even in the alley.

Eventually, the line begins to sputter forward and we make it into the theater and this place is gorgeous. Everything is vintage, the beers on tap, full bar, great popcorn… only problem is the seats are for vintage sized people. Corey’s an ex-football player for Christ’s Sake and I’m not called Big Hairy for nothing, so squeezing us into seats together, yeah, let’s just say I made a trip to my chiropractor when I got back home.

The place is sold out. There’s a real buzz in the room and that’s when I find out that Duncan Jones’ first movie, Moon, had premiered there too. So they were happy as hell to have him back, one of the festival heads, Janet Pierson, did the introductions and she was clearly happy about this film and having the whole creative team there. She’s BEAMING.

Me? I’ve got myself a cold one, I’m jammed into place about 5 rows up from front, dead center. The place is howling. The movie hits. I’m not kidding. The sound system is cranked and when it punches, I’m gettin’ kicked in the teeth. Every noise amplified “BOO!” moment, I’m jumping like I’m gonna tackle the bad guy in the next row. They got me again and again with that shit, because I was on the edge of my seat the whole friggin’ movie.

Okay. By now you know the plot: Soldier Captain Colter Stevens (Jake Gyllenhaal) wakes up in the body of an unknown man, he discovers he’s part of a mission to find the bomber of a Chicago commuter train. In an assignment unlike any he’s ever known, he learns he’s part of a government experiment called the “Source Code,” a computer program that enables him to cross over into another man’s identity in the last 8 minutes of his life… and something about saving a girl… Right?

What you don’t know is that Source Code is a crafty edge of your seat thriller that keeps you guessing right up until the last reel movie. Moon this is NOT. I love a whodunit, I love great sci-fi and I like action. Source Code gave me it all. Great stunts, nail biting suspense, great fake outs, clever plot twists, hefty moral dilemmas, the works. You get the works with Source Code. Jake Gyllenhaal, not the first guy I think of for action Princess of Persia or not, pulls the whole thing off handily. Gyllenhaal’s performance alternates from funny quirks of a serious man in a serious situation to jaw busting action to great one liners to romantic leading man. My girl Amanda, she was cooing over JG the minute he walked onscreen. He’s got that part down. Me? I was impressed with how well he handled the action sequences. I’m a big Donnie Darko fan, I knew he could pull off some cool drama stuff, he could do the intense stare, but you can’t fake the action. That’s the stuff I do want to see more out of him from now on.

Bottom line, I say go out and see Source Code. See it on the big screen because it’s a big screen movie. Take your girl. Get some popcorn. Have some fun. Me and my crew did. We hadn’t even planned on sticking around to see the Q&A but we all loved the movie so much we ditched out on our other movie just to get the Q&A with Duncan Jones, the writer Ben Ripley, and cast members Vera Farmiga, Jake Gyllenhaal, Michelle Monaghan and several of the producers.

Check out our exclusive Q&A footage right here:”

Hart D. Fisher is a legendary 1st amendment champion who has authored Poems for the Dead, Still Dead, is the writer/director of the feature film The Garbage Man. Mr. Fisher’s opinions about serial killers and serial killer culture have been featured on Entertainment Tonight, Larry King Live, American Justice, CNN Headline News, within the pages of Time Magazine, Tattoo Savage, The Comics Journal and more.